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| Nathalie Costes |
I’ve been quite obsessed, if nothing else, with knitwear since I started making knitwear pieces during design school, about three years ago.
Those days are not gone, but I also enjoy looking at knitwear-design behind the scenes for inspiration – the possibilities are countless, and much more modern and unique than those granny sweater we always think of when seeing a crochet hook, and those two long needles.
Crochet and knitwear are both made of a single yarn (any kind of yarn), yet their look and possibilities are completely different.
So, in my search for some unique applications of crochet I happened to find the most charming artist, Nathalie Costes, who makes no other than cotton crochet collars, or what she calls in French, collarettes!
These small and dreamy pieces are an example of a unique, and simple idea turning into something wonderful, and a model of how unconventional pieces can also be very wearable ones! Just take what you love the most about clothes and make it your own! But it doesn’t go as easy as it sounds.
Needless to say, I’m drooling here over Nathalie Costes ultra-femenine collarettes! To me, the rufflier they get, the better! And they will definitely change any simple, and not so simple look, in a second.
Check her site/e-shop out after you read what this lovely French designer has to say!
1. Nathalie, can you tell me a bit about yourself?
I’m just a simple woman, mother of three children, two girls and a boy – ages 20, 19 and 17. I’m looking for a simple life, trying to worry less and giggle more.
2. Where are you based?
I left Paris 4 years ago after stopping my wooden necklaces business. I’m living in the Southwest of France, not far from the sea, not far from Spain, and not far from the mountains in a small town calling PAU. I like to go to Paris for small journeys and I’m always happy to come back to the country.
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| Workshop |
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| Nathalie wearing her design |
3. How long have you worked in fashion- designing such beautiful accessories?
I started to design fashion accessory in 2003, with my lacquered wooden necklaces. I wasn’t conscious that they would be such a success. After four years, I decided to stop as I felt like a prisoner with all those beads. The production wasn’t easy.
4. How would you define your style, or the girl that you design for?
I don’t really know how to define my style. I think it’s simple, elegant, and joyful. I don’t think particularly about a girl to design for. What I love is when different kind of people can wear what I design. I like it when different girls wear the same accessory in their own style.
